Tamieka Chavis (Mama) and Gerrard Taylor (son Walter Lee) star in ARAISIN IN THE SUN (Pics. by J. Lopez)

It is more like this “bitter world”. It is a “dream deferred”. In the 1970’s and 80’s, the babies of post-world war 2 had come of age, we were ready to rule the world, that our parents could not. Equality, affirmative action, education, equality, black power, afro’s, dashikis, the black handshake: open palms, up high low, elbows, slaps on the back.

It is unbelievable, that the events of the prejudicial America are being repeated in 2022. As a former President of the United States said, it is where the verb “is” in the sentence. African Americans are victims of understanding the construction of English language in its many contexts, especially when it comes to the construction and interpretation of law.

“Should we or should we not ?”; the Younger household consider the consequences.

The subtle interpretation of the 14th Amendment of the US constitution. It has become the same ploy used, when the commercials say, FREE, and in fine print, “for 30 days”. After 6 months there is this big bill you cannot pay, the interest rate skyrocketed, and you have credit card debt.

It is why Lorraine Hansberry’s play A RAISIN IN THE SUN, still has relevance; now playing at the CHESAPEAKE SHAKESPEARE THEATRE in downtown Baltimore MD.

African Americans are still “tanking” for money than principles. So few, are martyrs for “GOOD”.

See the play, written in the 1960’s, and be awakened to steadfastness, purpose and careful examination. An hour for some men to consider their legacies.

Published by Oswald Copeland

Born 1946, Georgetown Guyana, South America. Broadcast journalist since 1968. Been living in the United States, since 1974. Has done extensive work in sales and marketing, and likes to write about culture in and around Baltimore Md. His personal passion is healthy living: Creator and Executive Editor of THECULTUREPAGEDOTCOM.

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